In The Company Of Birds

Tufted Titmouse

If you’ve been following along at all, you’ve discovered that I spend a lot of time with birds. I get out with them whenever I can, even if that means just sitting on the patio and seeing who’s hanging out in the yard. You can learn a lot by watching these yard birds. White-throated Sparrows and Eastern Towhees are notorious skulkers, staying at the edges and kick-feeding in the underbrush, leaving the feeders to the more adventurous Chickadees, Titmice, and Goldfinches. Of the woodpeckers, Downies are the boldest, often landing on the feeder pole and watching as I set out the morning’s repast. Red-bellieds are regular visitors, but will flush at the mere suggestion of the drop of a hat. However, if left to their own devices, they’ll aggressively defend the suet, chasing off others who might dare try for a bite. Flickers—the largest of our regular woodpecker visitors—show up sporadically, and are even more skittish: breathe in their direction and they’ll beat a hasty retreat.

You also start to notice differences between individual birds. If I should need to step into the back yard (God forbid!), most of the Chipping Sparrows will flee to the safety of the trees, but one or two will stay on the feeders and watch as I pass. The female of our Rose-breasted Grosbeak pair is similarly inclined, holding her post while the male heads for the hills; so too with the Hairy Woodpeckers, the female largely undaunted by my intrusions—putting paid to the notion of the weaker sex.

Rose-breasted Grosbeak

Though I love our yard birds, and have spent many hours in their company, I’ll also take any opportunity I can to visit one of my favorite local haunts—Quabbin Park’s gate five or the Fort River refuge, perhaps—or travel farther afield (New York’s Central Park, the Connecticut shore, Barnegat Lighthouse State Park, and Cape May, New Jersey are regular birding fixtures). No matter where I’m headed, though—even if it’s just out to the supermarket—I always bring two items with me: a pair of binoculars and a camera. You never know what’s out there waiting to be found, and I believe in being prepared. More often than not, it’s paid off. And more importantly, on the few instances when I’ve left one or both behind, I’ve regretted it (ask me about the Great Gray Owl sometime).

Now I’m not a professional photographer by any stretch of the imagination, and I consider myself fortunate if I come away with any good images at all. It’s far more important to me to get a good look at a bird than a photo of one. Still, I enjoy the challenge of photography and the joy in success. When you’re trying to photograph a bird, you also have to look at it differently. Light and shadow come into play a bit more, you have to pay special attention to behavior to anticipate its next move (it’s often too late to photograph a bird where you first see it), and you have to try to position yourself in just the right spot—clear of obstructions (as much as possible anyway), and a respectful distance from the bird so that you can keep your impact to an absolute minimum while still capturing a good image. This last is paramount, and any ethical photographer—professional or otherwise—will always place the needs of the bird first.

American Goldfinch

There’s something more, though. It’s not just the self-satisfaction of taking a good photograph. As someone who loves nature—and birds in particular—I feel a responsibility to share what I’ve seen, give others a window into the wonders of the world around us, and, with luck, inspire at least some of them to care. It’s the same reason I write about them—to bring people with me as I explore the lives of the birds, and to hopefully illuminate a bit of the magic that lies just outside our doors.

Over the last few years, I’ve been introduced to many wonderful photographers—some who’ve become good friends—and they all share this same desire, to open a bit more of our world to us, and inspire us with its pageantry, its mystery, and its splendor. People like Melissa Groo, Keith Carver, Joe Oliverio, Ann Pacheco, Shawn Carey, Ashleigh Scully, Mia McPherson, Eric Curtis Cummings, Christopher Ciccone, Marina Scarr, Dorian Anderson, Denise Ippolito—artists all, and far more accomplished than I—produce images of stunning beauty, capturing moments of transcendent glory, heartbreaking intimacy, deep sorrow, and profound tenderness among our non-human brethren, revealing aspects of their world that many of us may never see yet are critically important for us to understand. I am consistently awed by their work, and often moved beyond words.

Or maybe there’s a darker side to this drive. Perhaps we’re documenting a great decline, recording these creatures for history before they slide into oblivion. Perhaps, like those who kept account of the last days of the Great Auk, Giant Moa, and Passenger Pigeon, we’re bearing witness to catastrophe and chronicling these lives that they may not be lost to time and confined to the realm of myth and legend.

Perhaps.

Myself, I hold to hope, and I suspect that many of my peers would as well—the hope that my work has an impact, that it drives people to care, to take action, to not remain on the sidelines and watch the great tragedy unfold. That I, through images and words, can help others understand the vision I have for our Earth, reach others who will be moved to make a difference, and awaken in others an appreciation for the grandeur and majesty of our world, the inherent value in all life, great and small, and the urgent need to protect and nurture all creatures whose lives fall, for better or for worse, into our hands. We are the only species that regularly drives others into extinction, but we are also the only species that can keep them from it.

Chipping Sparrow

Why do I do what I do? Why do I spend so much time in the company of birds? Because I must. Because it is right and proper that I do so. Because to be human is to care for more than just the human. Because for all the ugliness and destruction in the world, I can find beauty in the simplicity and grace of a sparrow. Because I cannot envision a world empty of the birds that surround us. And because I refuse to accept that as our inevitable course.

But for that to be true, it’s up to each of us as individuals to do what we can, however we can. It’s up to me, and it’s up to you. Start in your back yard, see what’s there. Go for a walk in your neighborhood, visit a state park or national wildlife refuge. Take that first step out your door, then take the next, and the next. Who knows where you’ll end up, and who knows what you might find? There’s life there waiting to be discovered, so get out and find it. Learn about it. Care.

And then inspire others.

At the end of it all, that’s what I work for.

 

You can find links to the photographers who inspire me below:

Melissa Groo

Keith Carver

Ann Pacheco

Joe Oliverio

Ashleigh Scully

Shawn Carey

Dorian Anderson

Mia McPherson

Eric Curtis Cummings

Christopher Ciccone

Marina Scarr

Denise Ippolito

Life On The Margins

Verdin, Phoenix, AZ

A friend of mine was recently traveling through Arizona, and while waiting out a flight delay at the Tucson airport, she wandered over to a tiny park jammed in between the rental car office and pickup garage. It had picnic tables, benches, small arbors, and even a water feature—so she did what any self-respecting birder would: looked for birds. If anything, she expected those most ubiquitous of urban birds: House Sparrows (the park was, after all, surrounded by concrete and jet noise). What she found was something else entirely: two Yellow-rumped Warblers foraging in a flowering bush, and, much to her surprise, a pair of Verdins busily constructing a nest in one of this mini-park’s little trees. She spent a fair bit of time enjoying their company, amazed at their ability to find succor in this rather depleted habitat.

It’s a story I’ve heard (and experienced) many times. Different species and different locations to be sure, but the theme is always the same: birds making a living in the unlikeliest of places, on the margins between the natural and constructed worlds. Peregrine Falcons are prime examples, able to thrive in the heart of the urban jungle, substituting skyscrapers for cliff ledges and making off with whatever prey presents itself (pigeons are favorite targets, and the falcons’ preference for these birds makes them very popular with city dwellers). Red-tailed Hawks have likewise found a place among humans—in some cases, attaining celebrity status (New York City’s Pale Male being perhaps the most famous). Ducks and geese are exceptionally good at making the most of the smallest of ponds. And gulls, pigeons, House Sparrows, Crows, and Starlings have all discovered the bounty offered by the detritus of our daily lives. But there are other, less obvious stories: Yellow-breasted Chats—Cardinal-sized warblers, highly secretive—show up in postage-stamp city parks; the flowered walkways outside New York’s American Museum of Natural History hosted a Rufous Hummingbird through one winter; and I know of an Ovenbird—a shy warbler of the forest floor—that spent part of the year in and around a city convenience store’s meager lawn.

Peregrine Falcon

These are somewhat extreme examples, but they are no means the only ones. Far from natural, many places we think of as ideal for birds are islands of habitat surrounded by harsh and inhospitable terrain. Arguably the most famous of these is Central Park, 843 acres of green set in Manhattan’s concrete core. To say that the park is good for birds is a gross understatement: on a normal day, it’s fantastic; during migration, it’s extraordinary. Warblers, orioles, blackbirds, tanagers, vireos—a host of species descend upon the park to feast on its bounty and shelter in its sylvan grounds. Birding here, it’s easy to get caught up in the extravaganza without questioning why it takes place. Take a look at a map of the city, though, and the reason is obvious: it’s one of the last, best naturescapes left in this vast metropolis. To birds exhausted by the trials of migration, Central Park offers sustenance and safety, a verdant oasis in an otherwise alien land—a margin, but on a grander scale.

Sanderlings

Grandest of all margins, though, is the one that marks the boundary between earth and ocean. Here along the coast, where the land slips into the surf, are birds who push the notion of survival to the extreme. As a group, shorebirds undergo some of the longest migratory journeys—and longest non-stop flights—in the world. Most travel tens of thousands of miles each way, and sometimes stay aloft for days at a stretch—a feat that pushes endurance far beyond the reasonable; in addition to nearly doubling their weight before setting out, some birds, like Red Knots, Bar-tailed Godwits, and Sanderlings, digest muscle tissue and internal organs to carry them the distance. Those who break their journeys to rest and refuel (and some don’t) do so on beaches up and down the coast. For other birds, the beach represents migration’s end: American Oystercatchers, Least Terns, and Piping Plovers are among those who make their homes on the shore, nesting in depressions they dig out of the sand. But whether they pass through or settle down, these birds share something crucial: Beachfront property isn’t a luxury for them, it’s a necessity. And yet this narrow, vital edge is under constant siege, imperiling all who rely on it. The birds who survive here exist at a confluence of conflicts: the shifting balance between land and sea; development against conservation; political will versus ecological reality; and human want versus avian need. For now, they still persist—but they’re forced to do so on an ever-shrinking landscape, each vanishing piece taking with it another chance for the birds.

The capacity to exist on the margins, to find food and shelter on the edges of our lives, is a testament to birds’ knack for survival. But they can be pushed only so far. Every species has a breaking point past which it can no longer recover, a threshold that, once crossed, leads to a finality frightening to contemplate. Without care, sooner or later these margins may become too small to support the birds that depend on them, leading them down the path traveled by the Passenger Pigeon, Carolina Parakeet, Eskimo Curlew, Labrador Duck, and many others. Still, all is not yet lost. Birds can adapt, given adequate time to do so and enough open space to call home. But ultimately it’s up to us. Their fate is in our hands, and we must ask ourselves if we can find it in our hearts to make room for them, encourage their recovery, and champion their survival. A world rich with birds awaits us, if we only have the courage to create it and the wisdom to understand why.

Piping Plover